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James Fee: Female Nude and Landscape
1970s, silver print, name of photographer, "San Francisco" and c.1970 written on the verso in pencil in an unknown hand.. Image size: 13.625"x9.875", sheet size: ($1,200–$2,400)
Includes a copy of a signed note from the photographer about his thoughts on photography. An early nude by this fine photographer, who passed away in 2006.
Larry Fink: Mr. Larry Fink
2017/2019, archival pigment print, signed verso. Image size: 15"x15", sheet size: 17"x22" ($6,000–$8,000)
Harvey Finkle: From the Museum series
2016, archival pigment print, signed, titled, and dated recto. Image size: 13"x20", sheet size: 17"x22", framed ($450–$900)
Robert Frank: Saul Steinberg, NYC
1961/c. 1970, silver print, signed and dated "R. Frank ’61" and titled "NYC Saul Steinberg" in black ink on the lower print margin with the Robert Frank Archive stamp with title "Saul Steinberg, NYC, 1961" in pencil and the copyright stamp with "Robert Frank 1979" in ink verso. Image size: 9.25"x13.5", sheet size: 11"x14" ($3,500–$7,000)
Victor Friedman: Flowers with Figure
1995, brown-toned silver print with hand coloring and applied pencil, ed. 1/10 + 5 APs, signed verso. Image size: 36.75"x32", sheet size: ($1,300–$2,600)
Victor Friedman has been creating photographic art for over forty years. His work is in the permanent collections of the Museum of Fine Arts, Houston, TX, the Brooklyn Museum, and the Museum of the City of New York. He has exhibited in galleries in New York and Philadelphia as well as the University of Mexico and Haifa University, Israel. His prints were selected by the U.S. Ambassador to Germany for display on the walls of the US Embassy in Berlin. Photo credits include The New York Times, Popular Photography, Black & White Magazine and publications by West Publishing, McGraw-Hill, John Wiley, Harper & Row, and Penguin Group. Provenance: Witkin Gallery.
Arnold Genthe: Julia Marlowe as Lady Macbeth
c. 1905, silver print, signed on mount recto. Image size: 9.5"x5.5", sheet size: on mount 14"x9" ($1,500–$2,000)
Mario Giacomelli: La Buona Terra
1964–65/later, silver print, signed, titled, and dated verso. Image size: 12”x15.875”, sheet size: 12”x15.875” ($2,000–$2,600)
Alvin Gilens: Untitled
2007, silver print, ed. 1/10, signed on mount recto. Image size: 12"x19", sheet size: mounted 18"x24" ($250–$500)
Exhibited at Gryphon Gallery, 2017.
Alvin Gilens: Shuk, Sunday Morning, Jerusalem
2017, archival pigment print, signed on mount recto. Image size: 13"x18.5", sheet size: mounted 18"x24" ($200–$400)
Ann Ginsburgh Hofkin: Bridal Veil Falls_05_c
2005/2019, archival pigment print, signed verso. Image size: 18.8125"x12.1875", sheet size: 22.125"x16" ($800–$1,400)
Tom Goodman: Snacks
2013, archival pigment print, ed. 2/10, signed, dated and numbered verso. Image size: 9.5"x13", sheet size: 8.5"x11.7" ($300–$500)
Marvin Greenbaum: The Swamp #22
2018, archival pigment print, ed. 1/5, signed recto and on mat recto. Image size: 14"x21", sheet size: 17"x22", framed 22"x28" ($300–$600)
Bedrich Grunzweig: San Francisco Cable Car
1972, silver, Photo Researchers label, photographer's stamp, date and title in an unidentified hand verso. Image size: 6.875"x9.5", sheet size: 6.875"x9.5" ($600–$1,200)
Bedrich Grunzweig (1910–2009) was born in Prague and grew up in Brno, Czechoslovakia. Following university studies and service in the Czech army, he escaped from Nazi-occupied Czechoslovakia and settled permanently in New York City and joined the newly formed United Nations where he worked until his retirement in 1974. Beginning in the 1940s, Grunzweig photographed New York. His best known images include Between Heaven and Earth, a snapshot of a window cleaner at the United Nations building which won U.S. Camera Magazine’s first prize in 1951, as well as being published in Popular Photography’s 1952 Annual and in the 1952 Annual of American Photography.
George Ellery Hale (1868–1938): Mount Wilson Solar Observatory: B9 North and South Sun-Spots
September 9, 1908, vintage silver print, title and date label verso. Image size: 8.875"x7", sheet size: 9.375"x7.5" ($300–$600)
George Ellery Hale (1868-1938) founded the Observatory in 1904 and directed it until his retirement in 1923.
Margo L. Hamilton: Booted Violets, Aberdeen, Scotland
2018, archival pigment print, signed, titled, and dated verso. Image size: 10.5"x15.5", sheet size: 13"x18.25" ($300–$600)
Claude Harris: Untitled dancer
1923, warm-toned silver print, name embossed in mount. Image size: 5.5"x7.375", sheet size: on mount 10"x11.5" ($200–$400)
Harris ran an extremely successful portrait photography business in the first 25 years of the 20th Century in Regent Street, London, specializing in theatrical, artistic and literary clients - Rodin, DuMarier, Pavlova and the Queen Mother to be for example. He invented the reflected and diffused artificial light technique. Sold in part to benefit the Philadelphia Museum of Art.
G. W. Harting: Marine Vista
c. 1920s, silver print, title and photographer's name and address in ink on mount recto, photographer's stamp on mount verso. Image size: 7.75"x6", sheet size: on mount 11.625"x9.75" ($600–$800)
G. W. Harting was an American artist who was born in 1877.
Russell Hart: Tilting from Windmills
2017/2019, archival pigment print, signed verso. Image size: 24"x16", sheet size: 25"x17" ($1,000–$2,000)
Pamela Ellis Hawkes: Monnoyer X6
2019, archival pigment print, AP, signed recto. Image size: 20"x15", sheet size: 23"x18" ($700–$1,400)
William Heick: Fathers’ Day, Seattle, Washington
1951/later, silver print, signed and dated on mount recto; signed, titled and dated on mount verso. Image size: 7.625"x9.875", sheet size: 7.625"x9.875" ($1,200–$1,500)
Bill Heick was a photographer and documentary filmmaker, and an early student of Minor White and Ansel Adams at California School of Fine Arts. This image was made on assignment for Life magazine.